Turning Turk looks at contact between the English and other cultures in
the early modern Mediterranean, and analyzes the representation of that
experience on the London stage. Vitkus's book demonstrates that the
English encounter with exotic alterity, and the theatrical
representations inspired by that encounter, helped to form the emergent
identity of an English nation that was eagerly fantasizing about having
an empire, but was still in the preliminary phase of its colonizing
drive. Vitkus' research shows how plays about the multi-cultural
Mediterranean participated in this process of identity formation, and
how anxieties about religious conversion, foreign trade and
miscegenation were crucial factors in the formation of that identity.