The last century has seen radical social changes in Ireland, which have
impacted all aspects of local life but none more so than traditional
Irish music, an increasingly important identity marker both in Ireland
and abroad. The author focuses on a small village in County Clare, which
became a kind of pilgrimage site for those interested in experiencing
traditional music. He begins by tracing its historical development from
the days prior to the influx of visitors, through a period called "the
Revival," in which traditional Irish music was revitalized and
transformed, to the modern period, which is dominated by tourism. A
large number of incomers, locally known as "blow-ins," have moved to the
area, and the traditional Irish music is now largely performed and
passed on by them. This fine-grained ethnographic study explores the
commercialization of music and culture, the touristic consolidation and
consumption of "place," and offers a critique of the trope of
"authenticity," all in a setting of dramatic social change in which the
movement of people is constant.