In the last five years of the twentieth century, films by the second and
third generation of the so-called German guest workers exploded onto the
German film landscape. Self-confident, articulate, and dynamic, these
films situate themselves in the global exchange of cinematic images,
citing and rewriting American gangster narratives, Kung Fu action films,
and paralleling other emergent European minority cinemas. This, the
first book-length study on the topic, will function as an introduction
to this emergent and growing cinema and offer a survey of important
films and directors of the last two decades. In addition, it intervenes
in the theoretical debates about Turkish German culture by engaging with
different methodological approaches that originate in film studies.