Tuning the World tells the unknown story of how the musical pitch
A 440 became the global norm.
Now commonly accepted as the point of reference for musicians in the
Western world, A 440 hertz only became the standard pitch during an
international conference held in 1939. The adoption of this norm was the
result of decades of negotiations between countries, involving a diverse
group of performers, composers, diplomats, physicists, and sound
engineers. Although there is widespread awareness of the variability of
musical pitches over time, as attested by the use of lower frequencies
to perform early music repertoires, no study has fully explained the
invention of our current concert pitch. In this book, Fanny Gribenski
draws on a rich variety of previously unexplored archival sources and a
unique combination of musicological perspectives, transnational history,
and science studies to tell the unknown story of how A 440 became the
global norm. Tuning the World demonstrates the aesthetic, scientific,
industrial, and political contingencies underlying the construction of
one of the most "natural" objects of contemporary musical performance
and shows how this century-old effort was ultimately determined by the
influence of a few powerful nations.