The Austrian Empire was not a colonial power in the sense that fellow
actors like 19th-century England and France were. It nevertheless
oversaw a multinational federation where the capital of Vienna was
unmistakably linked with its eastern periphery in a quasi-colonial
arrangement that inevitably shaped the cultural and intellectual life of
the Habsburg Empire. This was particularly evident in the era's colonial
utopian writing, and Tropics of Vienna blends literary criticism,
cultural theory, and historical analysis to illuminate this curious
genre. By analyzing the works of Leopold von Sacher-Masoch, Theodor
Herzl, Joseph Roth, and other representative Austrian writers, it
reveals a shared longing for alternative social and spatial
configurations beyond the concept of the "nation-state" prevalent at the
time.