This volume honors Maryan W. Ainsworth, curator emerita at The
Metropolitan Museum of Art and former adjunct professor at Barnard
College, whose work as a scholar, curator, and teacher has profoundly
impacted the study of early northern European painting. Contributions by
leading specialists from museums and academia, including former interns
and fellows, reflect Ainsworth's emphasis on the centrality of the
object and on the interdisciplinary methods of technical art history,
while also paying homage to the variety of Ainsworth's research
interests as a whole. The essays explore topics such as the working
methods of individual artists, workshop practice, artistic
collaboration, and patronage across a range of media--mainly painting,
but also manuscript illumination, drawing, tapestry, sculpture, and
stained glass.