Forced to contend with unprecedented levels of psychological trauma
during World War II, the United States military began sponsoring a
series of nontheatrical films designed to educate and even rehabilitate
soldiers and civilians alike. Traumatic Imprints traces the
development of psychiatric and psychotherapeutic approaches to wartime
trauma by the United States military, along with links to formal and
narrative developments in military and civilian filmmaking. Offering
close readings of a series of films alongside analysis of period
scholarship in psychiatry and bolstered by research in trauma theory and
documentary studies, Noah Tsika argues that trauma was foundational in
postwar American culture. Examining wartime and postwar debates about
the use of cinema as a vehicle for studying, publicizing, and even what
has been termed "working through" war trauma, this book is an original
contribution to scholarship on the military-industrial complex.