Chapter 1: From Mobile Crimes to Crimes of Mobility
Maarit Piipponen, Helen Mäntymäki and Marinella Rodi-Risberg
PART 1: Crime on the Move: Transnational Crime and Global Capitalism
Chapter 2: Transnational Crime in Deon Meyer's Devil's Peak and
Santiago Gamboa's Night Prayers
Sam Naidu
Chapter 3: Temporal, (Trans)national and Human Mobility in María Inés
Krimer's Kosher Trilogy
Carolina Miranda
Chapter 4: Abdelilah Hamdouchi's Whitefly: Transnational Crime,
Globalisation and the Arabic Police Procedural
Colette Guldimann
Chapter 5: Systemic Violence in the Borderlands: Anthony J. Quinn's
Border Angels and Alicia Gaspar de Alba's Desert Blood
Eoin D. McCarney
Chapter 6: Transnational Female Sex Trafficking in Naia Marie Aidt's
"Women in Copenhagen," Matt Johnson's Deadly Game, and Stuart
Neville's Stolen Souls
Charlotte Beyer
PART 2: Historicising Mobility and Agency
Chapter 7: The Socially Mobile Female in Victorian and Neo-Victorian
Mysteries
Meghan P. Nolan
Chapter 8: Liminal Spaces in Laurie R. King's Touchstone and Keeping
Watch
Mary Ann Gillies
Chapter 9: Urban Mobility and Technology in Carlo Lucarelli's Almost
Blue
Barbara Pezzotti
Chapter 10: Crime and Detection in a Virtually Mobile World: Tom
Hillenbrand's Drohnenland
Heike Henderson
PART 3: Genre Borderlands: Generic Mobility and Hybridisation
Chapter 11: Criminal/Liminal/Seminal: Nordic Border Crossings and
Crossers in Contemporary Geopolitical Television
Robert A. Saunders
Chapter 12: Across National, Cultural and Ethnic Borders: The Detectives
in Olivier Truc's Reindeer Police Series
Andrea Hynynen
Chapter 13: Splatter Horror Crime: Crossing Medial Borders in Jo Nesbø's
The Snowman
Niklas Salmose
Chapter 14: Affective Estrangement and Ecological Destruction in TV
Crime Series Fortitude
Aino-Kaisa Koistinen and Helen Mäntymäki
Chapter 15: Sophie Hannah's Hurting Distance as Crime Trauma Fiction
Marinella Rodi-Risberg
