This book explores political, cultural, and literary aspects of
intersectional and transnational resistance articulated contemporarily
and historically by Palestinian and Black American artists and
activists. A historical and political survey examines the Nakba as a
contemporaneous colonial epoch that is constantly reproduced through a
multitude of oppressive policies which place Palestinians within the
link between U.S. and Israeli hegemony, whose colonial violence has
extended transnationally. Black and Palestinian expressions of mutual
solidarity result from the location of their struggles within subaltern
spaces. Drawing on intersectional approaches emanating from Black
feminism and post-colonial theory, this study investigates written and
spoken poetry, essays, and lyrics as interventions into imperialist and
colonialist currents and as demands for revolutions that are
conceptualized as an Intifada that transcends the original, Palestinian
context.