This book is a wide-ranging study of the varieties of gamelan music in
contemporary Java seen from a regional perspective. While the focus of
most studies of Javanese music has been limited to the court-derived
music of Surakarta and Yogyakarta, Sutton goes beyond them to consider
also gamelan music of Banyumas, Semarang and east Java as separate
regional traditions with distinctive repertoires, styles and techniques
of performance and conceptions about music. Sutton's description of
these traditions, illustrated with numerous musical examples in Javanese
cipher notation, is based on extensive field experience in these areas
and is informed by the criteria that Javanese musicians judge to be most
important in distinguishing them.