In spite of the steadily expanding concept of art in the Western world,
art made in twentieth-century totalitarian regimes - notably nazi
Germany, fascist Italy and the communist East Bloc countries - is still
to a surprising degree excluded from main stream art history and the
exhibits of art museums. In contrast to earlier art made to promote
princely or ecclesiastical power, this kind of visual culture seems to
somehow not fulfil the category of 'true' art, instead being
marginalized as propaganda for politically suspect regimes. This book
wants to modify this displacement, comparing totalitarian art with
modernist and avant-garde movements; confronting their cultural and
political embeddings; and writing forth their common genealogies. Its
eleven articles include topics as varied as: the concept of
totalitarianism and totalitarian art, totalitarian exhibitions,
monuments and architecture, forerunners of totalitarian art in
romanticism and heroic realism, and diverse receptions of totalitarian
art in democratic cultures.