This volume contains papers by Germanists, historians, and art
historians from Germany, Austria, the United States and Canada on visual
and conceptual aspects of early modern city culture ranging from
representations of the city to urban spatial and social practices. The
essays focus on some of the culturally most vibrant cities in early
modern Europe, with special emphasis on German-speaking countries:
Nuremberg, Cologne, Vienna, Ghent, Munich, Amsterdam, Florence, and
Rome. Topics include the dissemination and control of city images,
carnivalizing performances of social/religious dissent, narrative
constraints in fifteenth-century urban historiography, Christian
humanism and the controversy over Jewish books, the Carthusian influence
on the spiritual topography of a city, the humanist agenda in imperial
entries, the evolution of three-dimensional city models, transposing
Renaissance Italian song models into a transalpine city context, and the
emergence of the city views known as vedute.