The Home Guard was formed in 1940 to fight an uncompromising and
essentially suicidal campaign that was to buy a few hours grace for the
regular forces to regroup after a German invasion. But the Dad's Army TV
series has led to a serious distortion in the perception of the Home
Guard and, as Malcolm Atkin reveals in this thought-provoking and
meticulously researched book, its image was manipulated from its
earliest days.
Using official documents, contemporary histories, stories, artwork and
poetry, and comparing these with postwar films and histories, he takes a
unique perspective. He explores how the myths of the Home Guard arose
and were exploited by official propaganda and the wartime and postwar
media. He also shows how the strong sense of gallows-humor amongst its
volunteers - which fits in with a long tradition of self-deprecating
humor in the British army - was taken out of context and became the
basis of the TV series.
To the Last Man strips back the myths and forensically analyzes how
the modern perception has evolved. The result is a new, gritty,
sometimes shocking, appreciation of the role that the Home Guard was
expected to play in the Second World War.