On the basis of a body of reggae songs from the 1970s and late 1990s,
this book offers a sociological analysis of memory, hope and redemption
in reggae music. From Dennis Brown to Sizzla, the way in which reggae
music constructs a musical, religious and socio-political memory in
rupture with dominant models is vividly illustrated by the lyrics
themselves. How is the past remembered in the present? How does
remembering the past allow for imagining the future? How does collective
memory participate in the historical grounding of collective identity?
What is the relationship between tradition and revolution, between the
recollection of the past and the imagination of the future, between
passivity and action? Ultimately, this case study of 'memory at work'
opens up a theoretical problem: the conceptualization of time and its
relationship with memory.