This book is an investigation of movement, particularly dance. What kind
of movement is dance? What is dance in India? And, what is it to dance
in India? It recognizes the diversity and complexity of practice in
India, but also of the contingent (institutional) circumstances through
which performances emerge and become visible.
This volume assembles writing that combines description with analytics
of movement practices in India in our time. Essayists include
performers, theorists, historians and cultural critics. The essays are
discursive interventions on a wide variety of topics that concern the
many fields of dance practice. The themes range from questions of
periodization to the temporal, the archive, the proximate body and its
potentialities, spaces and audiences, and policy interventions on behalf
of performance.