This book offers a theory and methodology of transmedia arts activism
within the technocultural and sociopolitical landscape of expanded
documentary production, distribution, reception and participation.
Through a detailed analysis of the author's transmedia project on
indigenous and minority language endangerment and revival that consists
of the feature-length documentary Tongues of Heaven and the companion
web application Root Tongue: Sharing Stories of Language Identity and
Revival, she reveals the layers and depths of a critical arts practice
when confronted with complex sociopolitical issues while working with
multiple communities across territorial/national boundaries. In the
context of the growing field of transmedia documentaries, the author
discusses the potentials and benefits of a critical design practice and
production ethics that can transform this field to pilot new
collaborations in documentary and digital media platforms towards a
third digital documentary.