Painting has demonstrated remarkable perseverance in the expanding field
of contemporary art and the surrounding ecology of media images. It
appears, however, to have dispelled its own once-uncontested material
basis: no longer confined to being synonymous with a flat picture plane
hung on the wall, today, painting instead tends to emphasize the
apparatus of its appearance and the conduits of its circulation. With
contributions by Peter Geimer, Isabelle Graw, and André Rottmann,
Thinking through Painting investigates painting's traits and reception
in cultural and socioeconomic discourse.
**Contributors
**Peter Geimer, Isabelle Graw, André Rottmann
Institut für Kunstkritik Series