Co-published in Association with the Victoria and Albert Museum, London
This book is a timely and engaging introduction to the way that artists
working in all media think about craft. Workmanship is key to today's
visual arts, when high 'production values' are becoming increasingly
commonplace. Yet craft's centrality to contemporary art has received
little serious attention from critics and historians.
Dispensing with clichéd arguments that craft is art, Adamson
persuasively makes a case for defining craft in a more nuanced fashion.
The interesting thing about craft, he argues, is that it is perceived to
be 'inferior' to art. The book consists of an overview of various
aspects of this second-class identity - supplementarity, sensuality,
skill, the pastoral, and the amateur. It also provides historical case
studies analysing craft's role in a variety of disciplines, including
architecture, design, contemporary art, and the crafts themselves.
Thinking Through Craft will be essential reading for anyone interested
in craft or the broader visual arts.