Kari Weil provides a critical introduction to the field of animal
studies as well as an appreciation of its thrilling acts of
destabilization. Examining real and imagined confrontations between
human and nonhuman animals, she charts the presumed lines of difference
between human beings and other species and the personal, ethical, and
political implications of those boundaries.
Weil's considerations recast the work of such authors as Kafka, Mann,
Woolf, and Coetzee, and such philosophers as Nietzsche, Heidegger,
Derrida, Deleuze, Agamben, Cixous, and Hearne, while incorporating the
aesthetic perspectives of such visual artists as Bill Viola, Frank
Noelker, and Sam Taylor-Wood and the "visual thinking" of the autistic
animal scientist Temple Grandin. She addresses theories of pet keeping
and domestication; the importance of animal agency; the intersection of
animal studies, disability studies, and ethics; and the role of gender,
shame, love, and grief in shaping our attitudes toward animals. Exposing
humanism's conception of the human as a biased illusion, and embracing
posthumanism's acceptance of human and animal entanglement, Weil unseats
the comfortable assumptions of humanist thought and its species-specific
distinctions.