People buy and sell human remains online. Most of this trade these days
is over social media. In a study of this 'bone trade', how it works, and
why it matters, the authors review and use a variety of methods drawn
from the digital humanities to analyze the sheer volume of social media
posts in search of answers to questions regarding this online bone
trade. The answers speak to how the 21st century understands and
constructs 'heritage' more generally: each person their own expert, yet
seeking community and validation, and like the major encyclopedic
museums, built on a kind of digital neocolonialist othering of the dead.