We had been instructed to start promptly at six, since the hall was
needed again at eight. We pushed through the curtained doorway, like
instrumentalists without instruments, and onto the stepped stage. The
audience was still coming in. Uncertain of our running time, and with no
one to introduce us, I thought we had better start. I got as far as
'Byr- ' when Alan decided he did indeed need his glasses. He delivered
his rehearsed ad lib, claiming that his vanity was second only to
Byron's, and put on his specs.
It is July 1981, and Alan Bates succumbs to a fit of nerves as he and
Frederic Raphael attempt to carry off an underrehearsed performance at
the Queen Elizabeth Hall. This wry glimpse behind the scenes of the
London literary scene sits, in Raphael's notebooks, amid clear-eyed
analysis of the riots and social unrest then erupting in Britain's
cities under Margaret Thatcher's government. Compulsively readable, by
turns mischievous and coruscating, this latest volume of Raphael's
reflections casts light on a period that saw the beginnings of a
decisive shift in British and American culture. Along the way, there are
finely incised pen-portraits of public figures ranging from Shirley
Conran to Peter Sellers and from Robert Redford to Mary Whitehouse.