Erudite and exhaustive, Gerhard Kubik's Theory of African Music
provides an authoritative account of its subject. Over the course of two
volumes, Kubik, one of the most prominent experts in the field, draws on
his extensive travels and three decades of study throughout Africa to
compare and contrast a wealth of musical traditions from a range of
cultures.
In this second volume, Kubik explores a variety of topics, including
Yoruba chantefables, the musical Kachamba family of Malaw^ i, and the
cognitive study of African rhythm. Drawing on his remarkable ability to
make cross-cultural comparisons, Kubik illuminates every facet of the
African understanding of rhythm, from timing systems to elementary
pulsation. His analysis of tusona ideographs in Luchazi culture leads to
an exploration of African space/time concepts that synthesizes his
theories of art, rhythm, and culture.
Featuring a large number of photographs and accompanied by a compact
disc of Kubik's own recordings, Theory of African Music, Volume II,
will be an invaluable reference for years to come.