How do we experience theatre through film? Laura Sava critically engages
with the filmic representation of theatre, focusing on a selection of
art house and independent films which provide a sophisticated commentary
on the interaction between the two media.
Through an in-depth analysis of films such as Jacques Rivette's L'Amour
fou, Pedro Almodóvar's All About My Mother and Charlie Kaufman's
Synecdoche, New York, this book analyses the embedment of theatre in
film and the notion of spectatorial address. Using textual analysis in
conjunction with concepts derived from narratology, performance
philosophy, and film and theatre phenomenology, it explores the
mechanisms of representation involved in the intermedial diegetisation
of theatre in film.