There is an old phenomenon in theatre arts: Education! And there is a
new tendency: theatre arts for the very young! The relationship to
education is clear, but what about the profit for the arts? The world of
children as a horizon of experiences? The role of music as a
dramaturgical element? Is it needed to divide the performance in actors
and spectators? Is there a special age for a successful reception? How
much should theatre artists be confronted with the physical and
psychological development of children? It seems that Theatre for Early
Years is a work in progress. There are more and more examples on the
stages of the world: In Europe, in the States, in Australia. A variety
of different perspectives are included in this research in performing
arts from birth to three. The authors are reflecting their work, their
observations, their directorship - to discover a new audience, to
accompany the new generation in aesthetics, to make the signs of the
time transparent. And maybe the development of Theatre for Early Years
is a new challenge to renew the language of theatre, to establish an art
of simplicity for the complexity of theatre.