Theatre and war have long been bedfellows. This brief study looks beyond
theatre that is about war, and instead focuses on the relationship
between theatre and war: how they feed into and inform one another, from
rehearsal to post-production analysis. The study builds on the premise
that theatre and war share a deep kinship that finds its consummate
expression in the very phrase 'theatre of war.'
This critical look at the entangled history of theatre and war asks
pressing questions that remain pertinent to our current moment: how have
the tools of theatre been used in the waging of war? How have the tools
of waging war been used in the making of performance? What are the
'shared interests' of theatre and war? And how has performance become a
militarized paradigm?