Theatre Across Oceans: Mediators Of Transatlantic Exchange allows the
reader to enter and understand the infrastructural 'backstage area' of
global cultural mobility during the years between 1890 and 1925. Located
within the research fields of global history and theory, the
geographical focus of the book is a transatlantic one, based on the
active exchange in this phase between North and South America and
Europe. Emanating from a rich body of archival material, the study
argues that this exchange was essentially facilitated and controlled by
professional theatrical mediators (agents, brokers), who have not been
sufficiently researched within theatre or historical studies. The low
visibility of mediators in the scientific research is in diametrical
contrast to the enormous power that they possessed in the period dealt
with in this book.