Theater of Exhibitions analyzes "art after the end of art,"
questioning whether inherited frameworks of making, theorizing, and
exhibiting art still apply to contemporary practice. The book also
considers the current commodification of the art industry and the
distribution of images in the digital age. Drawing from his formation in
theater and his own curatorial work, Jens Hoffmann reflects on the
spaces of contemporary art--the gallery, the institution, the
biennial--and ultimately positions the discipline of curating in the
context of a larger cultural sphere shaped by the political, social, and
economic conditions of its time, while demanding new attitudes and new
thinking. Hoffmann's theater posits the exhibition as an anthropological
endeavor, and the curator as its agent.