Theatre Neapolitan Style introduces five one-act plays by Eduardo De
Filippo to English-speaking readers and audiences for the first time.
Both individually and collectively, these works bring into clear focus
the atmosphere and environment of pre- and post-World War II Naples. At
the same time they offer the reader/spectator startling glimpses into
unforgettable lives and situations glimpses that record De Filippos
favorite emblems with marvelous clarity: a Neapolitan setting; a
Neapolitan family; a Neapolitan commedia figure. We witness the
playwrights uncanny ability to mix comic and tragic elements
simultaneously as romantic courtship prevails despite poverty and
infirmity in Philosophically Speaking; a tired marriage and the
temptation of youthful flirtation oppose each other in Gennareniello; a
government clerk happens upon the demolition of his childhood home in So
Long, Fifth Floor; an old actor fantasizes about performing a major role
once again in The Part of Hamlet; and a tired salesman learns that his
room has been used for the laying out of his deceased landlord in Dead
People Aren't Scary. De Filippos one-acts are a gift to theater scholars
and practitioners alike. There are hidden blueprints to be discovered in
these plays of character, of plot, and of theme that anticipate his
longer and more celebrated works. The reaction of one American actor
after performing in a staged reading of Gennareniello applies to the
others as well: 'The play reveals itself through many layers. It is an
actors dream; the deeper meanings and suggestions flow out with each new
encounter with the work.'