A hundred years ago, a character who was to enter the bloodstream of
20th-century popular culture made his first appearance in the world of
literature. In his day he became as well known as Count Dracula or
Sherlock Holmes: he was the evil genius called Dr. Fu Manchu, described
at the beginning of the first story in which he appeared as "the yellow
peril incarnate in one man."
Why did the idea that the Chinese were a threat to Western civilization
develop at precisely the time when China was in chaos, divided against
itself, the victim of successive famines and utterly incapable of being
a "peril" to anyone even if it had wanted to be? Even the author of the
Dr. Fu Manchu novels, Sax Rohmer, acknowledged that China, "as a nation
possess that elusive thing, poise."
And what do the Chinese themselves make of all this? Is it any wonder
that they remember what we have carelessly forgotten-the opium wars; the
"unfair treaties" that ceded Hong Kong and the New Territories; and the
stereotyping of Chinese people in allegedly factual studies?
Here cultural historian Christopher Frayling takes us to the heart of
popular culture in the music hall, pulp literature, and the mass-market
press, and shows how film amplifies our assumptions.