The poems of The Wild Rose Asylum offer a multi-faceted consideration
of the historical phenomenon of Ireland's Magdalen asylums, the largest
and most controversial of which were run for 150 years, until 1996, by
the Catholic Church. In poems that embrace both traditional and
experimental forms, Rachel Dilworth's work explores complex factors
involved in the loss by thousands of Irish women of years of their
lives, numerous aspects of their identities, and countless future
possibilities to confinement and arduous unpaid laundry labor as
"penitents" in these facilities for so-called "fallen" women. Pervaded
by a cutting awareness of an incarceration of the spirit, as well as of
the beauty and naturalness of so many women's development being
suppressed and denied, these poems navigate individual and collective
voice and silences, the held and withheld and disappeared or ignored,
with a grace and unflinching attention. Humane and wide-ranging, The
Wild Rose Asylum is a researched act of witness to an issue rife with
loss--poems that seek to be "bird enough to dive far/into the heart of
it and bring up something."