These surreal, satiric stories pay a mesmerizing visit to the shadowy
zone that lies between our everyday lives and a perilously tangible
near-future.
In ?The Wall of America," the Department of Homeland Security has put up
a border wall between the United States and Canada. But the NEA has
plans for the wall as well, turning it into the world's largest art
gallery. After the Rapture, working-class life for ?A Family of the
Post-Apocalypse" is not as different as one might imagine, despite the
occasional plague of biker-gang locusts. Between addiction and art is
?Ringtime," where a criminal is trapped in a recursive compulsion to
visit other people's memories while he is forced to record his own for
an eager audience. A Somali schoolgirl living in post-WWIII Minneapolis
goes on a bloody crusade to rid her town of a familiar predator, one who
might just be a monster, in ?White Man."
Vivid, starkly imagined, and strikingly articulate, this disquieting
collection is a journey that skillfully straddles the line between
playful absurdity and pointed irony.