This book examines the remarkable Velestino hoard, found in Thessaly in
the 1920s, and analyses the light that this collection of artifacts
sheds on a poorly studied period of Byzantine history, and on largely
neglected aspects of Byzantine civilization. Many collections of
Byzantine gold- and silverware, such as Vrap and Seuso, have been
surrounded by controversy. None, however, has been under more suspicion
than the Velestino hoard, particularly with regards to its authenticity.
The hoard contains no gold and no silver, and is in fact a collection of
bronze and leaden plaques, some with human, and others with animal or
geometric representations. The authors examine three distinct aspects of
the hoard: the iconography of its components, the method of its
production, and the function of those components. The conclusions that
they reached provide valuable new insights into eighth-century Byzantine
culture. The book explores the Byzantine cultural and political context
of the Velestino hoard and will appeal to historians and art historians
of early Byzantium, as well as archaeologists and historians of early
medieval technologies.