Arriving as a young writer in an ancient Dutch town, Benjamin Moser was
flummoxed, as any newcomer might be, by the language, people, and
culture. As he started exploring his newly adopted country, he stumbled
upon the great painters of the Dutch Golden Age, that galaxy of
sixteenth- and seventeenth-century artists--Rembrandt, Hals, and Vermeer
among them--who seemed to be asking the same questions he'd been
grappling with: Why do we make art? What even is art, anyway? Does it
provide solace? Or something more necessary to human happiness? Year
after year, Moser coaxed answers out of these old paintings, discovering
in Rembrandt an affinity for the "unequivocally dead," and in Ter Borch,
an astonishing intimacy. Featuring seventeen artists and a beautifully
designed, four-color text, The Upside-Down World, in the tradition of
How Proust Can Change Your Life, seeks to explain how such resplendent
beauty can--indeed must--flourish in a world so endlessly marred by
tragedy.