The sheer number of unfinished stone monuments in India is staggering
and examples appear at some of India's most famous and well-studied
sites that include rock-cut Ellora, Ajanta, and Mamallapuram. Unfinished
work also appears on built temples celebrated for the intricacy of their
sculpted decoration, such as those in Hoysala kingdom or in Orissa. This
detailed study provides an overall coverage of India's unfinished work
while addressing a range of issues related to stone-carving by examining
a select number of monuments at specific sites. Instead of focusing on a
site in its entirety, the study here focuses on specific issues of
consequence in the context of unfinished work, as they gain an added
weight and significance through discovery of their repetitive occurrence
at site after site. At the heart of this book are the many varieties of
unfinished stone carving that merit close observation to see what is
there and what is not, and to appreciate that all the finished work has
been through these various stages of being unfinished before reaching
completion.