Unprecedented in its range - extending from Venice to the New World and
from the Holy Roman Empire to the Ottoman Empire - this collection
probes the place that the Ottoman Turks occupied in the Western
imaginaire, and the ways in which this occupation expressed itself in
the visual arts. Individual essays in this volume examine specific
images or groups of images, problematizing the 'truths' they present and
analyzing the contexts that shape the presentation of Ottoman or Islamic
subject matter in European art. The contributors trace the transmission
of early modern images and representations across national boundaries
and across centuries to show how, through processes of translation that
often involved multiple stages, the figure of the Turk (and by extension
that of the Muslim) underwent a multiplicity of interpretations that
reflect and reveal Western needs, anxieties and agendas. The essays
reveal how anachronisms and inaccuracies mingled with careful detail to
produce a "Turk," a figure which became a presence to reckon with in
painting, sculpture, tapestry and printmaking.