How remarkable changes in ancient Greek pottery reveal the
transformation of classical Greek culture
Why did soldiers stop fighting, athletes stop competing, and lovers stop
having graphic sex in classical Greek art? The scenes depicted on
Athenian pottery of the mid-fifth century BC are very different from
those of the late sixth century. Did Greek potters have a different
world to see--or did they come to see the world differently? In this
lavishly illustrated and engagingly written book, Robin Osborne argues
that these remarkable changes are the best evidence for the shifting
nature of classical Greek culture.
Osborne examines the thousands of surviving Athenian red-figure pots
painted between 520 and 440 BC and describes the changing depictions of
soldiers and athletes, drinking parties and religious occasions, sexual
relations, and scenes of daily life. He shows that it was not changes in
each activity that determined how the world was shown, but changes in
values and aesthetics.
By demonstrating that changes in artistic style involve choices about
what aspects of the world we decide to represent as well as how to
represent them, this book rewrites the history of Greek art. By showing
that Greeks came to see the world differently over the span of less than
a century, it reassesses the history of classical Greece and of Athenian
democracy. And by questioning whether art reflects or produces social
and political change, it provokes a fresh examination of the role of
images in an ever-evolving world.