The Traces is a ranging inquiry into the seductions of memory and
travel, the fragile paradox of desire, and the art of making meaning
from a life.
Mairead Small Staid's debut, The Traces is a work of memoir and
criticism that explores the nature of happiness in art, literature, and
philosophy, structured around a season spent in Italy and a reading of
Italo Calvino's Invisible Cities.
Poised between plummeting depressions, the author considers the
intellectual merits of joy and the redeeming promise offered by the
beauty, both natural and manmade, that surrounds her. Traveling from
Florence to Rome to Capri, The Traces draws on the fields of physics,
history, architecture, and cartography, spurred by thinkers from
Aristotle and Montaigne to Cesare Pavese and Anne Carson.