This study examines theological themes and resonances in post-1970
Gothic fiction. It argues that contemporary Gothic is not simply a
secularised genre, but rather one that engages creatively - and often
subversively - with theological texts and traditions. This creative
engagement is reflected in Gothic fiction's exploration of theological
concepts including sin and evil, Christology and the messianic,
resurrection, eschatology and apocalypse. Through readings of fiction by
Gothic and horror writers including Stephen King, Joyce Carol Oates,
Peter Straub, William Peter Blatty and others, this book demonstrates
that Christianity continues to haunt the Gothic imagination and that the
genre's openness to the mysterious, numinous and non-rational opens
space in which to explore religious beliefs and experiences less easily
accessible to more overtly realist forms of representation. The book
offers a new perspective on contemporary Gothic fiction that will be of
interest to students and scholars of contemporary Gothic and of the
relationship between literature and religion more generally.