This book explores the textured process of rewriting and revising
theatrical works in the Spanish-speaking Caribbean as both a material
and metaphorical practice. Deftly tracing these themes through community
theater groups, ancient Greek theater, religious traditions, and
national historical events, Katherine Ford weaves script, performance
and final product together with an eye to the social significance of
revision. Ultimately, to rewrite and revise is to re-envision and
re-imagine stage practices in the twentieth-century Hispanic Caribbean.