Over the past decade literary critic and editor Jerome McGann has
developed a theory of textuality based in writing and production rather
than in reading and interpretation. These new essays extend his
investigations of the instability of the physical text. McGann shows how
every text enters the world under socio-historical conditions that set
the stage for a ceaseless process of textual development and mutation.
Arguing that textuality is a matter of inscription and articulation, he
explores texts as material and social phenomena, as particular kinds of
acts. McGann links his study to contextual and institutional studies of
literary works as they are generated over time by authors, editors,
typographers, book designers, marketing planners, and other publishing
agents. This enables him to examine issues of textual stability and
instability in the arenas of textual production and reproduction.
Drawing on literary examples from the past two centuries--including
works by Byron, Blake, Morris, Yeats, Joyce, and especially
Pound--McGann applies his theory to key problems facing anyone who
studies texts and textuality.