In The Tenants (1971), Bernard Malamud brought his unerring sense of
modern urban life to bear on the conflict between blacks and Jews then
inflaming his native Brooklyn. The sole tenant in a rundown tenement,
Henry Lesser is struggling to finish a novel, but his solitary pursuit
of the sublime grows complicated when Willie Spearmint, a black writer
ambivalent toward Jews, moves into the building. Henry and Willie are
artistic rivals and unwilling neighbors, and their uneasy peace is
disturbed by the presence of Willie's white girlfriend Irene and the
landlord Levenspiel's attempts to evict both men and demolish the
building. This novel's conflict, current then, is perennial now; it
reveals the slippery nature of the human condition, and the human
capacity for violence and undoing.