Much of the novel is an expression of the intellectual and moral lost
motion of the age...the special agony of the American Negro.
--New York Times Book Review
A fevered and impressionistic riff on the struggles of blacks in the
urban North and rural South, as told through the prism of The
Inferno....Other writers addressed race more directly, but for all its
linguistic slipperiness, Baraka's language conveys the feelings of fear,
violation, and fury with a surprising potency. A pungent and lyrical
portrait of mid-'60s black protest.
--Kirkus Reviews
With a new introduction by Woodie King Jr.
This 1965 novel is a remarkable narrative of childhood and youth,
structured on the themes of Dante's Inferno: violence, incontinence,
fraud, treachery. With a poet's skill Baraka creates the atmosphere of
hell, and with dramatic power he reconstructs the brutality of the black
slums of Newark, a small Southern town, and New York City. The episodes
contained within the novel represent both states of mind and states of
the soul--lyrical, fragmentary, and allusive.