The current notion of ballet history holds that the theatrical dance of
the eighteenth century was simple, earthbound, and limited in range of
motion scarcely different from the ballroom dance of the same period.
Contemporary opinion also maintains that this early form of ballet was
largely a stranger to the tours de force of grand jumps, multiple turns,
and lifts so typical of classical ballet, owing to a supposed prevailing
sense of Victorian-like decorum. The Styles of Eighteenth-Century Ballet
explodes this utterly false view of ballet history, showing that there
were in fact a variety of different styles of dance cultivated in this
era, from the simple to the remarkably difficult, from the dignified
earthbound to the spirited airborne, from the gravely serious to the
grotesquely ridiculous. This is a fascinating exploration of the various
styles of eighteenth-century dance covering ballroom and ballet, the
four traditional styles of theatrical dance, regional preferences for
given styles, and the importance of caprice, dance according to gender,
the overall voluptuous nature of stage dancing, and finally dance
notation and costume. Fairfax takes the reader on an in-depth journey
through the world of ballet in the age of Mozart, Boucher, and Casanova.
