The music of the Strauss family - Johann and his three sons, Johann,
Josef and Eduard - enjoys enormous popular appeal. Yet existing
biographies have failed to do justice to the family's true significance
in nineteenth and early twentieth-century musical history. David Wyn
Jones addresses this deficiency, engagingly showing that - from Johann's
first engagements in the mid-1820s to the death of Eduard in 1916 - the
music making of the family was at the centre of Habsburg Viennese
society as it moved between dance hall, concert hall and theatre. The
Strauss industry at its height was, he demonstrates, greater than any
one of the individuals, with serious personal and domestic consequences
including affairs, illness, rivalry and fraud. This zesty biography,
spanning over a hundred years of history, brings the dynasty brilliantly
to life across a large canvas as it offers fresh and revealing insights
into the cultural life of Vienna as a whole.