This new study examines the representation of gesture in modernist
writing, performance and cinema. Deploying a new theoretical term, 'the
speech-gesture complex', Anthony Paraskeva identifies a relationship
between speech and gesture which is neither exclusively literary nor
performative and which, he argues, is fundamental to the aesthetics and
politics of modernist authors. In discussions of works by Franz Kafka,
James Joyce, Henry James, Wyndham Lewis, Vladimir Nabokov and Samuel
Beckett, Paraskeva shows how this relationship is closely informed by
their attention to the performed gestures of actors in theatre and
cinema.