The question of how music and politics interact has always aroused
passionate debate, and it looms large in this study of the Soviet
proletarian music movement. The proletarian music movement was the
driving force behind many of the developments in early Soviet musical
life, and its influence was felt long after the groups that belonged to
it disbanded in 1932. It consisted of politicians, composers,
musicologists, performers and educators who were united by their desire
to create a dictatorship of the proletariat in musical life, and develop
musical forms that responded to the needs of their new society.
Based largely on primary and contemporary secondary sources, this book
charts the history of the proletarian music movement, examines its
beliefs, and discusses its work in the fields of musical education,
amateur musical activities and composition. It discusses the origins of
important characteristics of Soviet musical life, sheds light on a
neglected area of early Soviet cultural history, examines how the
cultural apparatus was mobilised to instil a political ideology, and
challenges how Soviet musical life of the 1920s has traditionally been
viewed.