This in-depth study of one of the twenty-first century's most acclaimed
films, The Social Network: Youth Film 2.0 considers the contribution
of David Fincher and Aaron Sorkin's film to the understanding of 'youth'
in a contemporary, digital age.
The book starts by situating The Social Network within the contexts of
'youth film', arguing that it challenges and reshapes the boundaries of
this genre by rethinking the notion of 'youth' itself in the present
century. It goes on to consider in detail the aesthetics at work in the
film, arguing for its critical and reflexive use of an 'accelerated'
audio-visual style, in order to capture both the new visual regimes of
the personal computer era, and the ethical and intellectual ambiguities
of Facebook itself as a creation. Finally, it locates the film within
the broader visual styles and fashion codes of a late twentieth- and
early twenty-first-century consumer culture that incorporates and
commodifies rebellion and dissent: qualities that underpinned Facebook's
emerging, paradoxical identity as at once the epitome of 'hacker'
culture and also a multi-billion-dollar global company.
Reframing the meaning of youth cinema, this volume in the Cinema and
Youth Culture series is ideal for students, researchers and scholars of
cinema studies, youth culture and digital cultures.
