In this book Robert Pinsky writes about contemporary poetry as it
reflects its modernist and Romantic past. He isolates certain persistent
ideas about poetry's situation relative to life and focuses on the
conflict the poet faces between the nature of words and poetic forms on
one side, and the nature of experience on the other.
The author ranges for his often surprising examples from Keats to the
great modernists such as Stevens and Williams, to the contents of recent
magazines. He considers work by Ammons, Ashbery, Bogan, Ginsberg,
Lowell, Merwin, O'Hara, and younger writers, offering judgments and
enthusiasms from a viewpoint that is consistent but unstereotyped.
Like his poetry, Robert Pinsky's criticism joins the traditional and the
innovative in ways that are thoughtful and unmistakably his own. His
book is a bold essay on the contemporary situation in poetry, on the
dazzling achievements of modernism, and on the nature or "situation" of
poetry itself.