Released in 1990, The Silence of the Lambs is one of the defining
films of late twentieth century American cinema. Adapted from the Thomas
Harris novel and directed by the late Jonathan Demme, its central
characters are now iconic. Jodie Foster is Clarice Starling, an FBI
trainee investigating 'Buffalo Bill', a serial killer who flays his
victims. Anthony Hopkins plays Hannibal Lecter, a serial killer and
former psychiatrist who assists Starling in exchange for personal
details.
With its pairing of a perverse, invasive anti-hero and a questing,
proto-action heroine, The Silence of the Lambs unfolds as a layered
narrative of pursuit. In this study, Yvonne Tasker explores the film's
weaving together of gothic, horror and thriller elements in its
portrayal of insanity and crime, drawing out the centrality of ideas
about gender to the storytelling. She identifies the film as a key genre
reference point for tracking late twentieth century interests in police
procedural, profiling and serial murder, analysing its key themes of
reason and madness, identity and belonging, aspiration and
transformation.
A new afterword explores the legacies of The Silence of the Lambs and
its figuring of crime and investigation in terms of gender disruption
and spectacular violence.