This volume brings together three short novels by Catalan literature's
great maverick and recluse, each depicting a brutal, abstract world
where words are the only reality--shifting between the erudite, the
archaic, and the vulgar. Carrer Marsala, which won prizes from the City
of Barcelona and the Generalitat de Catalunya--neither of which Bau
bothered to accept--is a relentless monologue delivered by a paranoid
hypochondriac obsessed with dental hygiene, sex, and his own squalid
rooms in Barcelona. In The Old Man, the narrator observes a strange
building where a decrepit prisoner is ritually beaten by a policeman
once a week. The Warden details the narrator's own captivity, and his
relationship with the woman who keeps him prisoner. In Martha Tennent's
haunting translation, reminiscent of a Mediterranean Beckett or Thomas
Bernhard, Miquel Bau 's work is a pungent reminder of the ways the world
fails its prophets and pariahs.